The tradition of all the dead generations weighs like a nightmare on the brain of the living.― Karl Marx
- Blindness and Seeing
- The Master and Margarita: A Stalinist Fantasy
- A Void
- Tolstoy’s Hadi Murad
- “The Death of Fray Salvador Montano”: Magical Realism and the Interrogation of Colonial Discourse
- What Do We Do After the Orgy?
- Women’s Resistance and the Antigonean Power of Mourning in Ariel Dorfman’s Widows
- Miclat’s Not So Secret Revelations
- Carpentier’s Account of Revolution and Negation of the Postmodern Mood
- A Modest Proposal: Ban All Those Books!
- State Nationalism and the Humanization of Manuel Roxas: A Criticism of Peter Solis Nery’s The Passion of Jovita Fuentes
- Sigwa: Filming the National Democratic Struggle
- Anil’s Ghost and the Sri Lankan Civil War
- Taibo’s Four Hands
- A Critical Response to Genevieve Asenjo’s Lumbay ng Dila
- Writing for the People
- Hasa and the Beauty Pageant: A Critique
- The Superfluous Man as Disillusioned Progressive in Orhan Pamuk’s Kars
- On the Arrest of 3 UP Cebu Students and the Struggle of the Aloguinsan Peasants
- Neocolonial Philippine Education
- Iloilo Youth Joins Historic Show of Rage Against Aquino’s Education Cuts
- After the Dinner Party
- #OccupyWallStreet and the Return of Class Struggle
- Tumandok Epic: The Panay Indigenous People’s Struggle for Land
- The Philippine Educational System
- The Filipino Youth and Social Transformation
- Death in the Andes: The Revolution as Nightmare and the Empowered Masses as Aliens
- Artemio Cruz: The Quintessential Big Comprador-Landlord
- An Evening at the Cinema: Claire’s Knee
- Slavoj Žižek: A “Radical” Apologist for Imperialism
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